“I would call myself a fighter rather than a rebel.
I am a nonconformist.
I have an instinct to protect and protest.”
– Rita Chowdhury
‘History does not always speak the truth.
Sometimes, it silences the truth.’
Sometimes, it silences the truth.’
Rita Chowdhury’s Makam (2010), translated as
Chinatown Days, is a landmark Assamese novel that recovers a forgotten chapter of Indian history —
the persecution of the Assamese-Chinese community during the 1962 Sino-Indian War.
The novel chronicles the trauma of nearly 1,500 people who were wrongfully detained,
branded traitors, and deported, severing their ties to home and identity.
Going through 10 editions in its first year, Makam resonated far beyond Assam as a universal story of injustice,
displacement, and the endurance of memory — a powerful act of historical reclamation that gives voice to the silenced.
Rita Chowdhury
A Luminary of Letters, Thought, and Cultural Discourse
A distinguished novelist, poet, and literary luminary, Rita Chowdhury’s oeuvre transcends mere storytelling to grapple with the profound existential, historical, and philosophical dimensions of human experience. A venerated presence in Assamese literature, her works serve as both artistic expressions and intellectual inquiries, delving into the intricate tapestry of history, identity, resilience, and the ceaseless evolution of the human spirit.
“I would call myself a fighter rather than a rebel. I am a nonconformist.
I have an instinct to protect and protest.”
– Rita Chowdhury

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